Treibgut ## Déjà Q? IDKLANG | HOOLSHOPPER | MNMM (overbrrt) | treibgut | Maschine-Maschine | YAKAMOZ | DJ UNGUSTL | DJ SALBEI

Podcast
p.m.k.live
  • pmk-19-06-28--treibgut
    27:09
audio
55:03 Min.
Bewitcher ## BEWITCHER [speed metal | us] - GREH [death metal | de]
audio
44:23 Min.
Greh ## BEWITCHER [speed metal | us] - GREH [death metal | de]
audio
1 Std. 39:06 Min.
Spiral Drive ## SPIRAL DRIVE | MOON WOMAN
audio
1 Std. 57 Sek.
Moon Woman ## SPIRAL DRIVE | MOON WOMAN
audio
56:49 Min.
Pechvogel ## DIRTY TALONS (riff rock) ## PECHVOGEL (indie)
audio
1 Std. 14:59 Min.
Verb-T ## VERB-T | RAMBO BUONGIORNO | VON BONSAI | EASY ÄL
audio
1 Std. 13:17 Min.
Rambo Buongiorno, von Bonsai, Easy Äl ## VERB-T | RAMBO BUONGIORNO | VON BONSAI | EASY ÄL
audio
37:56 Min.
Gyfth ## GISELA | GYFTH | GALLOWHEAD
audio
41:57 Min.
Gallowhead ## GISELA | GYFTH | GALLOWHEAD
audio
34:33 Min.
Gisela ## GISELA | GYFTH | GALLOWHEAD

Kopfweh kein Wunder Next Gen. Episode 3: Déjà Q? # Die Außenexpedition landet ab 18:00 auf Disco Volante am Haus der Musik Vorplatz bei freiem Eintritt und schönem Wetter. Anschließend Warp5 in die p.m.k. Querkonsum schließt Wechselwirkungen nicht aus. # IDKLANG‘s (Markus Steinkellner) live show is a machine summoning, an ancient mutant whatcannot be named. Convulsive punk and death metal vocals slice through metallic blasts of grimeand juke, channeling a contemporary spirit of Throbbing Gristle. Cathartic, ritualistic trance piercesthe air, born of present day suffering and political discontent, feeding from raw industrial energiesmuch akin to contemporary peers like Pan Daijing or HDMIRROR.These unusual, theatric decisions of sound are shining examples of what musicians like Steinkellner- with backgrounds in composition and metal bands, – are capable of: an experience of sound thatmakes you dance, yet manages to constantly surprise you, easily rivaling cinematic soundtracks. # Treibgut (Fabian Lanzmaier) is interested in creating imaginary synthetic landscapes. He strives tomerge the experience of the natural and the artificial, to confront the listener with ideas of fluid andambiguous environments. Through use of digital synthesis he is constructing sound objects thatappear to exist hauntingly physical. The ambience of rave is bended and twisted to a more distortedand fractured appearance. # Maschine Maschine TEKKNOTEKKNOTEKKNO. ## https://pmk.or.at/events/deja-q

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